The Crucible agrees with the lens because in Puritan society of in Salem, Massachusetts, hunts are being held to find those who have sinned and practice witchcraft but unfortunately innocent people are accused. The Crucible is set in Salem, Massachusetts and John Proctor, the protagonist, is a farmer who is found by his wife having an affair with a teenager. Throughout the play, John is trying to make the truth known to a court that has no interest in listening. A man may think God sleeps, but God sees everything, I know it now.
Advocates of 'cliodynamics' say that they can use scientific methods to illuminate the past. But historians are not so sure. It was first introduced in the four short stories — which would later be collected as the novel Foundation. Axioms Psychohistory depends on the idea that, while one cannot foresee the actions of a particular individual, the laws of statistics as applied to large groups of people could predict the general flow of future events.
Asimov used the analogy of a gas: An observer has great difficulty in predicting the motion of a single molecule in a gas, but with the kinetic theory can predict the mass action of the gas to a high level of accuracy.
Asimov applied this concept to the population of his fictional Galactic Empirewhich numbered one quintillion. The character responsible for the science's creation, Hari Seldonestablished two axioms: Ebling Mis added these axioms That there would be no fundamental change in the society That human reactions to stimuli would remain constant.
Golan Trevize in Foundation and Earth added this axiom that humans are the only sentient intelligence in the galaxy. Limitations The fact that Seldon established a Second Foundation of mental-science adepts to oversee his Seldon Plan might suggest that even Seldon himself had doubts about the ultimate ability of a purely mathematical approach to predicting historical processes, and that he recognized that the development of psychic skills, such as those used by the Mulehad the ability to invalidate the assumptions underlying his models, though he did not and could not predict the appearance of the Mule himself.
The Seldon methodology might therefore only work at a certain level of species-development, and would over time become less useful. Psychohistory has one basic, underlying limitation which Asimov postulated for the first time on the last page of the final book in the Foundation series: In Asimov's Foundation series, humans form the only sentient race that developed in the entire Milky Way Galaxy.
Seldon developed psychohistory to predict the actions of large groups of humans. Even robots technically fall under the umbrella of psychohistory, because humans built them, and they thus represent more or less a human "action", or at least, possess a thought-framework similar enough to that of their human creators that psychohistory can predict their actions.
However, psychohistory cannot predict the actions of a sentient alien race; their psychology may differ so much from that of humans that normal psychohistory cannot understand or predict their actions.
The end of the series offered two possibilities: However, statistically two or more alien races might evolve in the same galaxy, leading them into inevitable conflict.
The fighting in this other galaxy would only end when one race emerged the victor, and after the prolonged conflict with other races, would have developed an aggressive and expansionist mindset.
In contrast, humans had never encountered another sentient species in the Milky Way Galaxy, so they never felt greatly compelled to expand to other galaxies, but instead to fight other humans over control of the Milky Way.
Eventually, such an aggressive alien race would expand from galaxy to galaxy, and try to invade the Milky Way Galaxy. Specifically exemplifying this theory we find Asimov's Solarians:Crucible Good vs Evil rGood at its best, Evil at its worse When good and evil clash, does good always triumph?
In a theocracy, religion is the basis of their living politically, socially, and economically. The Crucible: Good versus Evil. The play contained many scenarios of good versus evil, and the characters who generally possessed these feelings and intentions. But it must be understood t hat there were the intentions, the incentives, and then the actions taken out on a person or a group of people.
Theme Of Good Versus Evil From The Crucible.
with many inside twists hidd en in the archives of the true story. It was a play with emotional feelings; feelings of anger, hate, and evil, yet feelings of manipulation, good, and pureness.
It was the Crucible. A fireball of guilt, evil, and good compiled into one magnification.
The Crucible: Good versus Evil. Good and Evil in "The Crucible" In Arthur Miller’s The Crucible John Proctor, the main character, struggles with guilt.
Arthur Miller has contributed many scenarios of good . By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the care of a younger child.
From the site: "The Samuel Wyllys Papers are a group of 88 court documents from s Connecticut, with the official title Depositions on Cases of Witchcraft, Assault, Theft, Drunkenness, and Other Crimes Tried In Connecticut " This is an amazing collection of digital facsimiles of 17th century court documents, with a very easy interface to find and examine them.